"My pots are handbuilt, pinching up each layer of rolled coil to build form. Pinching is a slow, rhythmic process that allows time to envision a piece while building. The direct touch creates a visual tempo inherent to the building process. Throughout my forty-some years of working with clay, I have tended to work intuitively, encouraging a great deal of collaboration with the clay. Why earthenware? The physicality of earthenware clay in nature: eroding and tumbling, washing and settling with organic matter appeals to me. Earthenware is the common clay- its ubiquitous nature means that it is nearly always nearby or underfoot."